A Suggested Low-Stress Practice Routine

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Maybe sitting in front of an interactive computer screen is part of your practice regimen (that’s yours truly in the photo jamming with BB King’s band at his museum in Indianola, Miss.). But if not, here are some thoughts I recently offered to a student. To avoid the Yngwie Malmsteen-like physical maladies caused at least partly by shredding without warming up, I suggest starting your sessions with major scales at the end of the neck, using open strings. You’ll fret about two-thirds of the notes, so your fretting hand relaxes continually. Play the scales relatively slowly and softly to avoid […]

Modulate the B String to Help Make the Melody Stand Out

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The B-string on a steel-string guitar can be loud – it is the thickest wire on the guitar, even thicker than the wire inside the wound sixth string. The inherent volume of the second string can produce unbalanced melody notes compared to notes played on the first string. Your ear is your guide in determining how hard to pick each string to balance the melody. However, when you pick the first and second strings simultaneously, it’s not easy to make one louder than the other. The volume differential between the first and second strings may obscure the actual first-string melody […]

Free Notation/TAB/Audio of Italian Classic “Return to Sorrento”

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Mark was contracted to provide guitar solos for a 70th Anniversary (!) party in Portland in March, 2019. The husband, a  native of Italy near Naples, requested the time-honored song “Return to Sorrento” (“Torna a Surriento”) in celebration of their lives together. Mark arranged a fingerstyle version, which is published here along with audio of Mark playing it. On YouTube you can watch Pavarotti, the Three Tenors and Dean Martin, among others, singing this famous melody. It was written in 1902 by the brothers DeCurtis. Here is a WikiPedia history of the song, listed by its Italian title “Torna a Surriento”.