We’re thrilled that Walters Cultural Art Center has included us once again, this time in their 2018-19 concert series. Doug Smith is in New York and Chicago till June as part of the cast of the new stage version of “August Rush,” so Terry Robb and I have invited exciting Hawaiian virtuoso Jeff Peterson to join us. Jeff taught with Terry and me at the our 2015 Guitar Seminar. Tickets | Directions
The day after Thanksgiving Mark returns to the Holloran Winery in the Willamette Valley’s lovely rolling hills for three hours of guitar solos in the tasting room. Come enjoy Bill’s great wines (Tempranillo is a specialty) and listen to me play my decades-long list of guitar solos.
Mark Teaches More Hawaiian Slack Key Guitar in Palo Alto, California.
Ace fingerstyle guitarists Mark Hanson, Teja Gerken and Pete Madsen entertain at Timbre Folk & Baroque in Berkeley, California.
Guitar Harmonics – Make Them Chime! I occasionally receive questions from clients about harmonics on the guitar: what they are and how to produce them. Guitar players love harmonics for their high-pitched ringing tone (Hawaiian slack key players call them “chimes”), and for the fact they allow a note (or more) to sustain as the fretting hand moves laterally on the guitar neck – not possible when you have to sustain a fretted a note. High-pitched guitar harmonics occur when a player creates a ‘nodal point’ (a non-vibrating ‘dead’ spot) on a vibrating string. Nodal points occur at the mathematical dividing points on […]
WORKSHOP #1 (To register, call Gryphon at 650-493-2131) 10:30 a.m. – 12:30 p.m. – Introduction to Hawaiian Slack Key Guitar! Gryphon’s old friend Mark Hanson – longtime Gryphon instructor, Grammy winner, Frets editor, and author of “Masters of Hawaiian Slack Key Guitar” – will introduce you to the beautiful world of Hawaiian slack key guitar. The essence of slack key is fingerpicking in alternate tunings. In this workshop Mark will concentrate on two tunings: “Taro Patch” (Open-G) and “C-Wahine” (C G D G B E, low to high). You’ll learn the necessary fingerpicking patterns (alternating bass), the common chord shapes, parallel-sixth […]