Guitar Harmonics – How to Produce Them Successfully!

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Guitar Harmonics – Make Them Chime! I occasionally receive questions from clients about harmonics on the guitar: what they are and how to produce them. Guitar players love harmonics for their high-pitched ringing tone (Hawaiian slack key players call them “chimes”), and for the fact they allow a note (or more) to sustain as the fretting hand moves laterally on the guitar neck – not possible when you have to sustain a fretted a note. High-pitched guitar harmonics occur when a player creates a ‘nodal point’ (a non-vibrating ‘dead’ spot) on a vibrating string. Nodal points occur at the mathematical dividing points on […]

Free Tab: “Celtic” Scale Exercises in Drop-D

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Alternating-Bass Scale Exercise For a recent wedding I was asked to play an instrumental version of singer George Ezra’s uptempo tune “Budapest” as the recessional. This was a fun little project, and a tune that fit right into an alternating-bass Travis-Picking form. The range of the melody suggested the key of D in drop-D tuning. (He sings it in F.) I put the capo on the second fret to approximate the original key (capo III was too high). Due to copyright restrictions, I will not print the arrangement here, but next best: As I toyed with the melody I came […]