Mark’s Student Recitals are great fun!
From Fingertyle guitarist Mark Hanson: This is the list of tunes that I have worked on/taught at some point between 1963 and the present. The list is approaching 2,000 tunes!
By Mark Hanson It was fun to read about Sting studying scores of French Impressionist composer Maurice Ravel (“Bolero”) for new harmonic and chord progression ideas. In this article we’ll study a chord progression you may not have seen: a dominant 7th chord resolving down 1/2 step (G7 to F#, or D-flat7 to C, for instance) — the “Augmented 6th” progression. First, here’s a fundamental harmonic movement to understand: You all know that V7 chords (“dominant 7th”) resolve regularly to the I chord (“tonic”): G7 to C, for instance. They also resolve effectively up to the vi chord of the […]
In a major key, combine the ii chord with the key’s leading tone. Voila!
Dealing with Sore Fingertips!
Timeline/Contents for “Music Theory for Guitarists” video.
Memorize your guitar pieces more effectively!
You can very successfully move a “C”-shape up the neck! For fingerstyle guitar one of my favorite chord shapes in standard tuning is “C.”
Mark Hanson’s Six-Shape Neck Visualization Method – the “A” shape.
Earlier I wrote about my “six-chord” neck visualization method, with two chord shapes anchored on each of the three bass strings. The advantage of knowing this is to gain access to a different range of melody notes on the treble strings while fretting the root note in the bass. Let’s start with the fourth string. You all know the first-position, end-of-the neck D shape, with the root note as the open fourth string. This fingering is “in front” of the root note – meaning the fretted notes are at a higher fret position. This shape, of course, can slide all […]